Ebook Download Meaning and Argument: An Introduction to Logic Through LanguageBy Ernest Lepore, Sam Cumming

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Meaning and Argument: An Introduction to Logic Through LanguageBy Ernest Lepore, Sam Cumming

Meaning and Argument: An Introduction to Logic Through LanguageBy Ernest Lepore, Sam Cumming


Meaning and Argument: An Introduction to Logic Through LanguageBy Ernest Lepore, Sam Cumming


Ebook Download Meaning and Argument: An Introduction to Logic Through LanguageBy Ernest Lepore, Sam Cumming

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Meaning and Argument: An Introduction to Logic Through LanguageBy Ernest Lepore, Sam Cumming

Meaning and Argument is a popular introduction to philosophy of logic and philosophy of language.

  • Offers a distinctive philosophical, rather than mathematical, approach to logic
  • Concentrates on symbolization and works out all the technical logic with truth tables instead of derivations
  • Incorporates the insights of half a century's work in philosophy and linguistics on anaphora by Peter Geach, Gareth Evans, Hans Kamp, and Irene Heim among others
  • Contains numerous exercises and a corresponding answer key
  • An extensive appendix allows readers to explore subjects that go beyond what is usually covered in an introductory logic course
  • Updated edition includes over a dozen new problem sets and revisions throughout
  • Features an accompanying website at http://ruccs.rutgers.edu/~logic/MeaningArgument.html

  • Sales Rank: #211151 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2012-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 6.00" l, 1.45 pounds
  • Binding: Paperback
  • 464 pages
Features
  • Used Book in Good Condition

From the Back Cover
Meaning and Argument shifts introductory logic from the traditional emphasis on proofs to the symbolization of arguments. Another of its distinctive features is that it shows how the need for expressive power and for drawing distinctions forces formal language development. This volume is ideal as an introduction to formal logic, philosophical logic, and philosophy of language. At each stage of system elaboration and development, the book answers meta-logical questions. Why is a particular formalism needed? What must go into such a formalism and why? These questions engage students in a collective inquiry which allows them to see logical studies as a human enterprise aimed at achieving well understood goals - clarity and good reasoning. The second edition extends and systematizes the account of anaphora, including "donkey" anaphora, plural anaphora, and cross-sentential anaphora. It also has additional sections on counter-models and semantics, and contains additional exercises and an updated bibliography. This update of the second edition includes over a dozen additional problem sets and revisions throughout.

About the Author
Ernest Lepore is Director of the Center for Cognitive Science at Rutgers University. He is the author of numerous articles in philosophy of mind and is co-author (with Herman Cappelen) of Insensitive Semantics (Blackwell, 2004), co-author (with Jerry Fodor) of Holism (Blackwell, 1991). He is editor of Truth and Interpretation (Blackwell, 1989). He is co-editor (with Zenon Pylyshyn) of What is Cognitive Science? (Blackwell, 1999), and co-editor (with Robert Van Gulick) of John Searle and His Critics (Blackwell, 1992), as well as general editor of the series Philosophers and Their Critics, also published by Wiley-Blackwell.

Sam Cumming is Assistant Professor of Philosophy at the University of California, Los Angeles.

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Meaning and Argument: An Introduction to Logic Through LanguageBy Ernest Lepore, Sam Cumming PDF
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  • Published on: 1999-11-16
  • Binding: Paperback

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Ebook Download Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker (Oxford Monographs on Music)By Roland John Wiley

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Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker (Oxford Monographs on Music)By Roland John Wiley

Tchaikovsky's Ballets combines a detailed and thorough analysis of the music of Swan Lake, Sleeping Beauty, and Nutcracker with descriptions of the first productions of these works in Imperial Russia. A background chapter on the ballet audience, the collaboration of composer and balletmaster, and Moscow of the 1860's leads into an account of the first production of Swan Lake in 1877. A discussion of theater reforms initiated by the Director of the Imperial Theaters prepares the reader for a study of the still-famous 1890 St. Petersburg production of Sleeping Beauty. Wiley then explains how the Nutcracker, produced just two years after Sleeping Beauty, was seen in a much less favorable light than it is now. Separate chapters are devoted to the music of each ballet and translations of published libretti, choreographer's instructions to the composer, and the balletmaster's plans for Sleeping Beauty and the Nutcracker are reproduced in appendices.

  • Sales Rank: #2002363 in Books
  • Published on: 1991-05-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x 1.27" w x 6.19" l, 1.53 pounds
  • Binding: Paperback
  • 456 pages

Review

"Wiley's analysis of the musical background of the choreography of the Tchaikosvky-Petipa ballets is fascinating....I find it refreshing to read a musicologist's view, rather than a dance historian's, because of the minute analysis it offers of how the music itself influences the choreography."--Deborah Jowitt, Lingua Franca


"Wiley is thoroughly conversant with the large Russian literature on Tchaikovsky's ballets. It will be one of the book's important contributions that it introduces Western readers to this material and offers a critical assessment of it....An important and pioneering work. He articulates an approach to the study of a composite work of art that is seldom pursued in musicological research on ballet....The scope of documented information alone will make his book indispensable for scholars, performers, and ballet lovers alike."--Journal of the American Musicological Society


"[Wiley's] evaluations of Chaikovskii's music, illuminating the master's musical innovations, and his comprehensive history of each ballet, tracing the ballets' origins, composition, and first productions, will delight music-lovers and balletomanes alike....Wiley's penetrating musical analyses of each ballet...give rare insight into Chaikovskii's musical genius often overlooked in studies of his ballet music....Eschewing ideology, Wiley far exceeds his Soviet counterparts with his comprehensive and significant analyses....[His] substantial and engrossing reassessments of these monuments of Russian ballet establish them as great artistic and musical achievements."--Slavic Review


"Wiley has dug deep into the Russian archives, scrutinizing not only books and contemporary newspapers, but every manuscript source he could uncover....Yet Wiley has not given us a dull, austere treatise; there is plenty of humanity and local color in his descriptions of the ballet audience in nineteenth-century Russia...we should be grateful that he has brought us that much closer to an understanding of these three extraordinary highlights of our dance heritage."--Dance Research Journal


"An authoritative, important, useful book on dance, based on primary source materials, meticulously researched, and intelligently presented....Tchaikovsky's Ballets inevitably forces us to reassess our views...and Tchaikovsky must be recognized as the virtual creator of modern ballet."--New Criterion


About the Author
Roland John Wiley is at University of Michigan, Ann Arbor.

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